Elizabeth Kirkpatrick-Vrenios
As if the World were Made of Nothing but Hunger
At least two and a half million Ukrainians have fled their country in what the United Nations has called
the fastest growing refugee crisis since World War II.
-New York Times
before jackscrew and rust
before the terrible steaming coats
of guns before the river had edges
we had light at our edges we will start with
ravens that soar and drop into dark rivers
we will start with music through curtains
its hard to recognize the music of these last days
of life before you count and count the reams
of empty space rubble and crush
a town torn crushed
birds unsettled mountains shift
light fills voids echoes drape trees
death echoes like a junked tanker
like a cry the size of a single boy
crushed by the stones the color of bad teeth
the color of release as old as ambush
as young as mud we can be made to kneel
our knees folding into knees
fold into a river of endless bodies
currents curl constrict and drop
a coiled bridge between worlds
the veil thin between our dying world
and that unknown beyond
this daylight chamber
balancing in a shaft of light
a socket not quite empty
one eye illuminated one eclipsed
Elizabeth Kirkpatrick-Vrenios' award-winning chapbook, Special Delivery, was published in 2016, and her second, Empty the Ocean with a Thimble by Word Tech Communications. Twice nominated for a pushcart prize, she has poems published in various anthologies and journals including Stories of Music, The Poeming Pigeon, Love Notes from Humanity, Stories of Music, American Journal of Poetry, Cumberland River Review, The Feminine Collective, The Kentucky Review, Unsplendid, Edison Literary review, Passager, and NILVX. She is a Professor Emerita from American University, artistic director of the Redwoods Opera in Mendocino, California, a member of international Who’s Who of Musicians, and has spent much of her life performing as a singing artist across Europe and the United States.